Tuesday, December 29, 2009
Sunday, December 27, 2009
Holiday Visit Home Tour
PRODUCTION RIDER
FOR KATE KERSHNER'S
HOLIDAY VISIT
HOME TOUR.
BY KATE KERSHNER
- - - -
Please note the following points that shall be adhered to on Kate Kershner's Holiday Visit Home Tour. It is in the best interest of the VENUE (i.e.: JIM and CAROL KERSHNER'S rancher on 34th St. and the inhabitants therein) that these demands be strictly followed, if the VENUE ever wishes to see the TALENT (i.e.: KATE KERSHNER) come back after the 2006 Tour. This written agreement must be agreed upon and given no amendment unless specifically addressed with the TALENT.
Please also note that this rider would be unnecessary were it not for the now-canceled OPENING ACT (i.e.: Mike Kershner, brother and ultimate betrayer of TALENT), who got a little too popular (i.e.: a little too married) to come on Tour this year. TALENT, who no longer trusts anyone after OPENING ACT left for his own fancy TOUR and new VENUE, feels it best to have everything on paper. Although this document is not legally binding, it does work in accordance with the strict legality of the OFFICIAL CONTRACT (i.e.: Kate Kershner's birth certificate, verifying JIM and CAROL KERSHNER as Parents, and thus responsible for all future happiness).
LOAD IN:
TALENT arrives alone. Upon arrival, do not ask where CREW is. Do not get clever by saying boyfriend/your friend/special friend instead of CREW. Consider VENUE forewarned that when TALENT feels VENUE can act appropriately around CREW, TALENT will bring CREW. So TALENT will be arriving alone.
TALENT will be bringing one (1) duffel bag full of laundry, and TALENT doesn't want to hear she's too old for this. TALENT will do laundry herself. Unless VENUE, you know, was already planning on doing some anyway, in which case it would probably be easier if VENUE just threw it in with whatever VENUE is doing. No big deal.
Upon LOAD IN, the following should be placed in DRESSING ROOM (i.e.: TALENT'S former bedroom, now renamed CAROL'S NEW "PURPLE ROOM," painted to accompany VENUE'S new "BLUE ROOM," which makes TALENT ache for a time when a room in VENUE could be beige):
(1) Bottle of Vodka
(1) Bottle of Tonic, and not the diet tonic that VENUE usually buys. TALENT doesn't appreciate what VENUE is trying to say when VENUE only buys TALENT diet tonic water.
(1) Bath towel, long enough to be crammed under bottom of door
(1) Fan, which should be facing out the window
Smoke detector in room MUST BE DISABLED before LOAD IN. No drinking glasses necessary.
TALENT will take thirty (30) minutes to "put stuff away" in DRESSING ROOM after load in. VENUE should leave TALENT alone for those thirty (30) minutes, even if choking coughs can be heard. TALENT is fine. Upon TALENT exiting DRESSING ROOM, VENUE should be sensitive to the fact that TALENT might have trouble with simple appliances, proper conjugation in conversation, etc. Please recall Holiday Tour 2004, when TALENT made VENUE late for Christmas Eve Mass because it took TALENT approx. one half-hour to tie her shoe. Due to the fact that TALENT was wearing boots without laces. It'll be a lot like that. Be patient.
DURING DINNER SHOW:
It is our understanding that various other acts (i.e.: SPECIAL GUESTS) will be sharing the bill with TALENT during the Kate Kershner Holiday Visit Home Tour during the DINNER segment of our show. The following is required of VENUE during DINNER, but also extends to SPECIAL GUESTS.
TOPICS THAT ARE OFF LIMITS WHEN TALKING TO TALENT:
1. TALENT'S lack of reliable employment
2. TALENT'S lack of reliable relationships
3. The story of that time TALENT pretended to be suicidal when she was 7 years old so she could find out what therapy was like, unless TALENT chooses to tell anecdote herself. No one but TALENT can tell that story with the proper context and complex nuances, and TALENT is sick sick sick of people fucking it up.
4. TALENT'S physical appearance, especially her hair color. TALENT understands she has roots, and fails to see why VENUE must mention this at every occasion. TALENT would be happy to amend the situation if VENUE would like to fork over $150 for a salon touchup. No? That's what TALENT thought.
5. TALENT'S complicated financial situation
6. Probably best to avoid politics, books of a high-minded literary nature, foreign films, and music that doesn't have words. TALENT feels stupid when these are discussed and accidentally lies about her knowledge of them, which makes TALENT feel bad and drink more. Keep in mind: Keeping TALENT happy is legally binding to VENUE in accordance with OFFICIAL CONTRACT.
RECOMMENDED TOPICS WHEN TALKING TO TALENT:
1. Brokeback Mountain. TALENT knows it came out last year, but TALENT just saw it for the second time and thinks she has some pretty interesting things to say about it.
2. Celebrities. Especially any anecdotes about meeting them/seeing them somewhere. Jake Gyllenhaal/Heath Ledger sightings will be rewarded with robust conversation.
The following should be placed on or near the table at DINNER:
(2) Bottles of wine per person at table, preferably something cheap so VENUE doesn't bitch about how expensive it was during the course of the entire evening
(1) Bowl of mashed potatoes, skin ON. SKIN IS WHERE THE VITAMINS ARE.
(2) Bowls of stuffing, one cornbread and one plain. If there is so much as half a raisin in the stuffing, TALENT will immediately leave the table and possibly the city.
More food, at the VENUE'S discretion. Please check ahead with TALENT, however. And make sure not to have anything with honey. TALENT doesn't mind the taste, but it leaves her fingers sticky, which annoys her.
LOAD OUT:
TALENT will require the following items on leaving the premises:
(1) Leftover container of every dish served at dinner
(1) Flask of alcohol, filled from VENUE'S liquor cabinet
(1) Pack of double-A batteries, provided by VENUE
(1) Copy of Sports Illustrated, provided by VENUE
(1) Old hair dryer, provided by VENUE
(1) Box of envelopes, provided by VENUE
(3) Books that VENUE recommends, and provides
(1) Duffel bag of clean clothes
(50) Dollars, for travel expenses
With all the TALENT'S demands met, we anticipate 2006 to be the best Holiday Visit Home Tour so far!
Thursday, December 24, 2009
Sunday, December 20, 2009
Saturday, December 19, 2009
Wednesday, December 16, 2009
Tuesday, December 15, 2009
Monday, December 14, 2009
Sunday, December 13, 2009
Thursday, December 10, 2009
Tuesday, December 8, 2009
Sunday, December 6, 2009
Thursday, December 3, 2009
Tuesday, December 1, 2009
Thursday, November 19, 2009
Wednesday, November 18, 2009
Saturday, November 7, 2009
Thursday, November 5, 2009
Wednesday, November 4, 2009
Tuesday, November 3, 2009
Monday, November 2, 2009
Saturday, October 31, 2009
Friday, October 30, 2009
Thursday, October 29, 2009
Tuesday, October 27, 2009
Protective Bike Travel bag
If you want to carry your bicycle to your travel city? The AeroTech Evolution's bicycle case and designed to protect your dismantled bicycle in the cargo hold of an airplane with its vacuum-formed ABS shell, and combined with velcro straps and strategically-placed foam tubing.
"AEROTECH EVOLUTION is made in ABS, a little softer kind of plastics can better absorb the energy of a fall; it may get dented, but it remains intact and can usually be repaired.
Bike Wheels are fixed with quick clamping devices in containers recognizable from outside - that's practical. Fixing belts protect the frame, from sliding. The running holding is regular and smooth. Light, with a very good crash test result. It can contain wheels of frame height until 64 "
Nendo - small chair design "!"
This is beautiful. Japanese design studio Nendo, created a chair made of hollowed-out pieces of wood covering a metal frame. The legs of the chair are only 15 mm in diameter.
Urs Fischer
“For his first large-scale solo presentation in an American museum, Urs Fischer has taken over all three of the New Museum’s gallery floors to create a series of immersive installations and hallucinatory environments.
The exhibition “Urs Fischer: Marguerite de Ponty” is the culmination of four years of work. Neither a traditional survey nor a retrospective, the exhibition features new productions and iconic works combined to compose a series of gigantic still lifes and walk-in tableaux. Choreographed entirely by the artist, the exhibition is a descent into Fischer’s universe, revealing the world of an artist who has emerged as one of the most exceptional talents working today.
An engineer of imaginary worlds, in the past Fischer has created sculptures in a rich variety of materials including unstable substances such as melting wax and rotting vegetables. In a continuous search for new plastic solutions, Fischer has built houses out of bread and given life to animated puppets; he has dissected objects or blown them out of proportion in order to reinvent our relationship to them. In 2007, in a now-legendary exhibition, he excavated the floor of his New York gallery, digging a crater within the exhibition space. Throughout his work, with ambitious gestures and irreverent panache, Fischer explores the secret mechanisms of perception, combining a Pop immediacy with a neo-Baroque taste for the absurd.